Writing
 
Writing Sample: “Unentangled Intermixture: Love and Materialism in Shelley’s Epipsychidion,” a portion of Chapter II of my dissertation “Populous Solitudes: The Orient and the Young Romantics,” and accepted for publication in The Keats-Shelley Journal (forthcoming, 2010)
 
“Designing and ‘Undrawing’ Veils: Anxiety and Authorship in Radcliffe’s The Italian,” accepted for publication by The Eighteenth Century: Theory and Interpretation
 
Review of Michael Vicario’s Shelley’s Intellectual System and Its Epicurean Background.   Keats-Shelley Journal (Fall 2008)
 
“Shelley’s Adjectival Human: Knowledge and Problematization, 1815-17,” North American Society for the Study of Romanticism Conference (Toronto, August 2008)
 
“’Unentangled Intermixture’: Love and Shelley’s Materialism,” American Comparative Literature Conference (April 2008)
 
“How to Listen to ‘Sirens’: Narrative Distraction at the Ormond Hotel” submitted to James Joyce Quarterly, April 2008